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The Q106 Oscillator is the foundation of any synthesizer providing the basic waveforms used to construct sounds. With a total range of .05hz to 20kHz+, the Q106 operates as a powerful audio oscillator and a full-featured LFO.
Add waveform switching, variable output, and soft-sync with the Q141 Oscillator Aid Module, and waveform mixing with the Q161 Module.
CRS - The Q106 now includes the CRS (Calibrated Range Switch) which use to be optional.
Basics
Oscillators are the main source of sound in a synthesizer.
The waveforms are then routed to filters and other modules for modification.
Oscillators can also be used to modulate other module's parameters or
to trigger envelope generators and sequencers.
Exponential Pitch Control
Pitch of the oscillator is usually controlled by a keyboard but can also
be controlled by a sequencer or any module's output.
Normally pitch is controlled by a keyboard that produces 1 volt per octave.
Each additional volt results in a 2x increase in pitch (frequency).
This is called exponential or 1V/Octave response.
The main reason for this is to allow controllers to produce the entire audio
range of frequencies with lower voltages.
A 10 octave range requires only 10 volts of control voltage.
If the response was linear then 10 octaves of range would require 512 volts of
control signal.
There are a total of 3 exponential pitch control connectors on the oscillator
and one has an adjustable response.
All of these inputs can be used at the same time if needed.
In most cases you will simply connect the output from your keyboard
into one of the 2 non-adjustable 1V/Octave inputs.
It's also common to modulate from another oscillator into the adjustable exponential
control connector.
Linear Pitch Control
There is also a pitch control connector which has a linear response.
This is normally used to produce vibrato which is a modulation of pitch.
The amount of the affect of the modulation signal upon pitch can be adjusted
with the front panel control.
Pulse Width Modulation
The width of the pulse waveform can be adjusted manually or from an external
control signal such as another oscillator.
This produces interesting effects similar to a violin.
You'll have to experiment to see how this sounds.
Using the Oscillator to Modulate
The Q106 Oscillator is designed to produce both audio signals and slow moving
signals to modulate other modules.
Normally this will be done using the 'Low' range which will give you frequencies
below 32hz.
All of the output waveforms are available and can be used to control
an oscillator's pitch (vibrato), an amplifier (tremolo),
or a filter's cutoff frequency or resonance.
You can also use the oscillator to trigger an envelope generator or to start and
stop a sequencer.
Outputs
All outputs are available at the same time and can be patched anywhere you like.
Use a Q125 Signal Processor to attenuate, amplify, invert or
offset any waveform from the oscillator.
Sync
The Oscillator has a Hard Sync input which is used to synchronize multiple oscillators.
Use the pulse waveform from a slower oscillator into the Hard Sync inputs on
higher frequency oscillators to synchronize them. This will eliminate beating.
Strange effects can be created by synchronizing oscillators at non-multiple frequencies.
Feedback
You can take one of the outputs from the oscillator and patch it back into
the adjustable exponential response connector or the linear response connector and
completely change the waveform.
If you have an oscilloscope you can see exactly what's happening.
Almost any type of waveform can be produced this way.
The following tests were done on a Q106 Oscillator taken right off the production line. No special calibration, parts, procedures, or modifications were used.
Tracking Accuracy
Tracking accuracy determines how closely your oscillators track the keyboard.
Human hearing is very sensitive to pitch and some people can discern differences as low as .2%.
Tracking is most important on frequencies from 32hz to 4096hz (7 octaves).
We think this is the most important parameter of an oscillator.
Test Equipment Used (all have recent calibration):
HP 5335a 9 Digit Frequency Counter
Fluke 3330b Voltage Calibrator
| Q106 Tracking Accuracy | ||
|---|---|---|
| Desired | Actual | % Error |
| 32hz | 32.07hz | +0.22 |
| 64hz | 64.16hz | +0.25 |
| 128hz | 128.2hz | +0.16 |
| 256hz | 256.2hz | +0.08 |
| 512hz | 511.9hz | -0.02 |
| 1,024hz | 1023.2hz | -0.08 |
| 2,048hz | 2046hz | -0.09 |
| 4,096hz | 4094hz | -0.05 |
| 8,192hz | 8236hz | +0.5 |
| 16,384hz | 16778hz | +2.3 |
Temperature Drift
When using your synthesizers in a hot environment temperature drift
can be a problem.
The Q106 Oscillator has special circuitry to compensate for this drift.
Test Equipment Used (all have recent calibration):
HP 5335a 9 Digit Frequency Counter
Ransco CC-580 Digital Oven
| Q106 Temperature Drift | ||
|---|---|---|
| Freq/Temp #1 | Freq/Temp #2 | % Error |
| 32.03hz@80ºf | 32.18hz@100ºf | +0.5 |
| 512.3hz@80ºf | 512.4hz@100ºf | +0.02 |
Waveform Purity
Analog waveforms are not supposed to be perfect but we don't want
strange artifacts that add unwanted harmonics or ones that can be heard when modulating at low frequencies.
Test Equipment Used (all have recent calibration):
HP 5335a 9 Digit Frequency Counter
HP 8903b Audio Analyzer
Fluke 3330b Voltage Calibrator
| Q106 Sine Distortion | |
|---|---|
| Freq | % Distortion |
| 64hz | 3.31 |
| 512hz | 3.26 |
| 2048hz | 3.01 |
Power Supply Rejection
You don't want your oscillator pitch changing when the system's power supply voltages vary.
The Q106 uses precision voltage references instead of relying on the system's power supply voltages.
Test Equipment Used (all have recent calibration):
HP 5335a 9 Digit Frequency Counter
HP 3455a 6.5 Digit Voltmeter
| Q106 Power Supply Rejection | |
|---|---|
| +15 Voltage Rail | Pitch |
| +15.027 | 512.1hz |
| +14.508 | 512.1hz |
| +15.514 | 512.1hz |
| -15 Voltage Rail | Pitch |
| -15.059 | 512.1hz |
| -14.556 | 512.1hz |
| -15.499 | 512.1hz |
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