Power Components
Q104 MIDI Interface
Q105 Slew Limiter
Q106 Oscillator
Q107 Filter
Q108 Amplifier
Q109 Envelope Generator
Q110 Noise Source
Q111 Pan/Fade
Q112 4-Channel Mixer
Q113 8-Channel Mixer
Q115 Reverb
Q116 Ring Modulator
Q117 Sample & Hold
Q118 Instrument Interface
Q119 Sequencer
Q120 Connector Interface
Q121 Banana Jack Interface
Q122 Mini Jack Interface
Q123 Standards
Q124 Multiples
Q125 Signal Processor
Q127 Fixed Filter Bank
Q128 Switch
Q130 Clipper & Rectifier
Q131 Blank Panels
Q138 Logo Panel
Q140 Fixed Filter Bank Aid
Q141 Oscillator Aid
Q142 Pedal Interface
Q143 Presets
Q146 Normalization
Q147 Distributor
Q149 Signal Selector
Q150 Ladder Filter
Q161 Oscillator Mixer
Q162 Filter Mixer
Q171 Quantizer Bank
Q172 Quantizer Aid
Q960 Sequential Controller
Q961 Sequencer Interface
Q962 Sequential Switch
Q963 Trigger Bus
Weined on Jean Michel Jarre, Mike Oldfield and old Moog! LPs as a child,
Kelly Sereda has had synth on the brain from day one. His interest in
editing mix tapes in the early eighties by pause/recording different parts
of songs together into megamixes led to DJing and eventually full-circle
into producing electronic music combining rhythmic DJ friendly elements, and
heavy doses of analog synthesis.
Current selection of gear includes: Alesis Andromeda; Dubreq Stylophone 350s; Korg MS-20; Moogs MG-1, Minimoog; Rolands HS-60, CMU-810, TR-909, R-8m, DR-110, VP-330+; and last but not least a fabulous custom Arrick QSC44 <---From the lack of fanfare regarding his line of great synths, Roger may be construed as being a pretty subtle guy, so Roger please leave fabulous in there, its true! I have many outboard effects and dynamics processors as well that really contribute to an overall sound, including my favs, a Lexicon PCM-70 and Joe Meek SC2.2. Also over the years I've had the pleasure of owning many notable instruments that helped shape my taste for, and resulting sound including Oberheims 4-voice and OBXa, LAMM Memorymoog and a Moog Source, ARPs 2600 (How is she treating you Roger?) and Odysseys (all revs), Rolands Jupiter 6s, Junoes, and MKS-80, JXs, all X0X's, system 100, SH's; Yamaha CS50, 70m; SCI Pro-1, Prophet10; and other good stuff. I just always wanted a great big, human sized modular to patch my ideas into. The last stage in production - the melting pot of my output and source of immeasurable frustration - my PC (AMD 1.3GHz w/Midiman Delta66) (granted this PC is new... we shall see).
Website: http://www.mp3.com/controlvoltage
Sound Clip: 3sawsSeqd12dBLPFNotchPand.mp3 (431k)
Sound Clip: 3pulseSoftSyncSwept12dBNotch.mp3 (191k)
Sound Clip: 1oscBassloopFinal.mp3 (71k)
Sound Clip: 2oscPWMaFinal.mp3 (204k)
Sound Clip: 2oscPWMbfinal.mp3 (110k)
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Sound Clip: 3oscSplitSeqFinal.mp3 (471k)
Sound Clip: 3sawsSoftSyncFinal.mp3 (136k)